Its been a while since my last post but I've not been idle. I began work on a new mezzotint print and it's taken some time to get the image roughed out on the plate. There is still much work to do before I can bring the plate to the 1st proof stage but I now have all the light and dark areas determined.
My work is representational and naturalistic. I go for a walk with a sketchbook and make drawings of anything that interests me. Then back home in the studio I use the sketches to try and make the best print that I possiby can.
"The artist is also a born adventurer. His explorations, unlike those of the tourist, are rewarded by the discovery of beauty spots unmentioned in the guide books, and with tireless curiosity and an exceptional proneness to wonderment, he will come upon objects of remarkable interest overlooked or even shunned by more disciplined observers."Augustus John, R.A.
Wednesday, 14 November 2018
Sunday, 21 October 2018
The Bride - completed
Printed a final subtle dark on the print, just to add some extra modelling into the shadows.
The Bride
17colour reduction linocut, printed in 12 stages.
212mm x 149mm
Edition of 18
Printed on Fabriano Rosapina.
This lump of weathered gritstone stands on Bridestones Moor overlooking the upper Calder Valley. It stands around 14ft high, 9ft across the top but only 2-3ft across the base.
Sunday, 14 October 2018
Nearly Finished
Printed the penultimate colour on the print. Just one more slightly darker tone to go now to put some added depth into the shadow areas on the standing rock.
Saturday, 6 October 2018
Continuing the new print
The next stages of the new print, starting now to work on the tones on the rocks and finishing off the foreground grasses. Colours 7, 8, 9 & 10.
Colour 7
Colour 8
Colour 9
Colour 10
The tonal shift between colours 9&10 is quite subtle, with hindsight it might be too subtle. But I've already cut the block so its too late now. Another 2 stages should see the print finished.
Colour 7
Colour 8
Colour 9
Colour 10
The tonal shift between colours 9&10 is quite subtle, with hindsight it might be too subtle. But I've already cut the block so its too late now. Another 2 stages should see the print finished.
Sunday, 30 September 2018
New print and a new body of work
It is often said that familiarity breeds contempt, I am ashamed to say that when it comes to my own local area I am guilty of this. I have recently started to look anew at the valley where I live and grew up in . An area that for the last 30 odd years I have sadly overlooked and neglected when it came to inspiration for my own work. In part this has come about because of my daughter Carly's growing interest in photography. Seeking out local sites for her to explore and photograph has made me look again at the history and landscape of my local area, revealing some hitherto unknown and surprising riches. So this new print is in someways a new beginning, heralding the start of a new and in some ways more personal body of work.
This is the first 6 stages of the print.
Saturday, 8 September 2018
Higherford Mill Exhibition
I spent yesterday over at Higherford Mill in Barrowford, near Colne hanging the Up North Printmakers exhibition along with Jamie Barnes and Pete Marsh. An enjoyable afternoon and we completed the work and tided up just in time for the opening and private view. The exhibition runs over two weekends; 8th and 9th and then the 15th and 16th September from 10-4 each day. A diverse exhibition of original printmaking with etchings, linocuts, woodblock, collograph, monoprints and mezzotints. Featuring the work of Jamie Barnes, Anita Burrows, Pete Marsh. Lisa Moore, Julie Robinson-Southwood, Anna Tosney, Debbie Williams and myself. In a lovely setting in an old cotton mill nestling beneath Pendle Hill, converted into artists studios with an exhibition space in the centre.
Higherford Mill Studios
Gisburn Road
Barrowford
Nr Colne
Lancashire
BB9 8PL
The mill entrance
Jamie Barnes
Pete Marsh
Finished
Subscribe to:
Posts (Atom)
