Much maligned and not everyone's favourite bird but an absolute gift for a printmaker. Given the subject matter probably not my most saleable print.
Magpie
190mm x 170mm
6 layer reduction linocut.
Edition of 10
My work is representational and naturalistic. I go for a walk with a sketchbook and make drawings of anything that interests me. Then back home in the studio I use the sketches to try and make the best print that I possiby can.
"The artist is also a born adventurer. His explorations, unlike those of the tourist, are rewarded by the discovery of beauty spots unmentioned in the guide books, and with tireless curiosity and an exceptional proneness to wonderment, he will come upon objects of remarkable interest overlooked or even shunned by more disciplined observers."Augustus John, R.A.
Much maligned and not everyone's favourite bird but an absolute gift for a printmaker. Given the subject matter probably not my most saleable print.
Magpie
190mm x 170mm
6 layer reduction linocut.
Edition of 10
A more experienced engraver than myself would have known not to bother taking a proof from the plate at this stage. I still find it hard to look at the image engraved on the plate and judge how it will look on paper. A mezzotint plate always looks more finished than it really prints.
A couple of pages of drawings made yesterday at the RSPB St Aidens reserve in the Aire Valley between Leeds and Castleford.
Black necked Grebes, Pen and Ink and Pencil and Watercolour.
Wood Engraving (on Maple Wood)
100mm x 75mm
Edition of 50
Printed on 145gms Zerkall Smooth with Hawthorn Printmakers Dense Black Ink.
This simple but elegant footbridge stands beside the Pennine Way footpath about quarter of a mile north of Blackstone Edge Reservoir.
On one of our regular local walks exploring the moors near our home. My daughter Carly and I came across this little stone bridge crossing the feeder canal to one of the moorland reservoirs. I made a quick pen and ink sketch and then back home in the studio made a more careful pen and ink scraperboard cartoon in reverse ready to transfer to the Maple wood endgrain block. The final photo shows the block with the newly started engraving.
Sunny Bank Farm
Linocut
296mm x 209mm
Edition of 9
I finished this linocut earlier today, the first lino print I've made since last summer. Having spent the autumn and winter months working on wood engravings and a mezzotint. This is a subject that has taxed me to say the least though.After two previous failed attempts at making a print of this ruined farm I've wasted more ink, lino and paper on this crumbling pile of stones than any other subject I've tackled. Finally I have an image I'm happy with.
Wood Engraving on Maple
100mm x 75mm
Edition of 30
Printed on 145gsm Zerkall smooth with Hawthorn Printmakers Dense Black Ink, completed 12th February 2021.