Set up today at Art in the Pen at Craven Auction Mart in Skipton. I'll be there tomorrow 9am- 4pm and Sunday 10am - 4pm. 3 hours work to transform an empty pen into a mini art gallery.
Stuart Brocklehurst Prints
My work is representational and naturalistic. I go for a walk with a sketchbook and make drawings of anything that interests me. Then back home in the studio I use the sketches to try and make the best print that I possiby can.
"The artist is also a born adventurer. His explorations, unlike those of the tourist, are rewarded by the discovery of beauty spots unmentioned in the guide books, and with tireless curiosity and an exceptional proneness to wonderment, he will come upon objects of remarkable interest overlooked or even shunned by more disciplined observers."Augustus John, R.A.
Friday, 16 August 2024
Art in the Pen
Sunday, 30 June 2024
Mezzotint Workshop
Another very enjoyable two days spent delivering a mezzotint workshop at Prospect Studios in Waterfoot, Rossendale. Once again some excellent work has been produced in just two days.
Golden Plover
8 colour reduction linocut
190mm x 170mm
Newly completed linocut inspired by a recent walk across the moors at the head of the Calder Valley.
Tuesday, 4 June 2024
Spring Walk
Finally editioned the new Mezzotint. Printed 52 impressions over 3 printing sessions. The latest of what seems to be a suite of images of pathways.
Thursday, 23 May 2024
Field Work
Drawings made on last Sundays trip out with Carly. Leaving the car at Widdop Gate on the Hebden Bridge to Colne road we walked up the Gorple track and skirted round Lower Gorple Reservoir then cut up the small valley to the ruined farm at Raistrick Greave before climbing on to the moor top by the medieval reaps cross before dropping back down to the car. Good numbers of Green Hairstreak Butterflies, Curlews everywhere and at least 5 pairs of Golden Plover on the moor top.
Sunday, 28 January 2024
Slow Start
I've been struggling for ideas for the last couple of months and the old year kind of ground to a halt in a pile of half finished and then abandoned images. At the end of last summer I finished grounding a new mezzotint plate but since then I haven't started any work on it. I just can't come up with a suitable subject or image that I feel inspired enough by, to commit to for long enough to finish the engraving. So earlier this month I packed my sketching bag and went down to St Aidens for a days drawing. This hasn't immediately resulted in a new print but it has got me working in a positive vein again.
Back in the studio I stuck a piece of engravers plastic onto an mdf block and working from an old pen and ink scraperboard drawing of a Dipper. Made this little 75mm x 100mm engraving.
Engraved and inked blockPrinted on some of my last remaining sheets of Zerkall smooth paper.
Monday, 11 September 2023
The Last King in Riggindale
It's been a while since I last handprinted a linocut and I'd forgotten how much of a workout it can be. This linocut, a reworking of a much smaller wood engraving is too big to go through my press so it was back to the baren and a wooden spoon. In six hours I managed to print 11 impressions, although I think only 8 of them are good enough to sign and number at this stage so I'll need another session later to print up the number required for the edition. I was planning 20 but I think I'll settle for 10, unless I can get access to a press with a bed big enough to take an A2 sheet of paper.